![]() ![]() The exhibition will be on show at Tate Modern in London between 15 April and 9 August 2015.Ī generously illustrated catalogue of 256 pages will be published by Paris Musées to mark the exhibitionĮxhibition realized with the exceptional help of andĮxposition Sonia Delaunay | Musée d'Art moderne. par paris_musees ![]() Her formal and technical gifts found expression in monumental paintings, mosaics, carpets and tapestries, and her late work was marked by the albums of etchings she produced for Editions Artcurial.Īlso including recreations of groups and arrangements of her work, together with photos and films of the period, the exhibition emphasises the paradox of an oeuvre which, while very much of its time - from the Belle Epoque to the 1970s – remains ageless in its unceasing formal explorations and its quest for a synthesis of all the arts.Ĭurator: Anne Montfort et Cécile Godefroy TOURING ![]() Her role as a "go-between" for the pioneers of abstraction and the postwar generation is pointed up through her contributions to the Salons des Réalités Nouvelles, her involvement in various architecture projects and her exhibitions at the Denise René gallery in Paris: after the war her painting underwent a profound renewal, culminating in the late 1960s in an intensely poetic form of abstraction. The following decade brought a pared-down abstraction in the international style that harmonised with the architecture of the time, as in the big mural decorations for the Air Transport Pavilion at the International Exhibition of Art and Technology in Modern Life, on show here for the first time since 1937. Her Spanish and Portuguese years during the First World War saw her first ventures into theatre and, before her return to Paris in the 1920s, commercial fashion design in Madrid. While Robert Delaunay was busy conceptualising abstraction as a universal language, Sonia was testing it out in painting, posters, garments, bookbinding and household items, and collaborating with poet Blaise Cendrars on the artist's book Prose of the Trans-Siberian and of Little Jehanne of France. One feature that stands out overall is a personal approach to colour that harks back to Sonia Delaunay's childhood in Russia and her art study years in Germany. Please enjoy the encounter with LePerc, who is still energetically producing at the age of 92.A generously documented chronology illustrates the richness and singularity of an oeuvre marked by an ongoing dialogue between the arts. This exhibition, which will be Le Parc’s first solo exhibition in Japan, is vivid proof of his undeniable contribution of more than 70 years to the world of art. LES COULEURS SERIES“Les Couleurs en Jeu”, offers a rich immersion in his decade-spanning oeuvre by bringing together early paintings with emblematic series such as La Longue Marche and the Lames réfléchissantes, as well as with suspended mobiles, another significant aspect of the work of this major figure of contemporary art. Exploring repetition, rotation, and effects of contrast and variation, Julio Le Parc’s work touches the viewer with a range of sensations: from vibrating images to the vertigo of the infinite, to the playful experience of movement. Le Parc is particularly interested in opening up new relationships between the art object and the viewer, whereby the visitor is no longer a passive, dependent observer. Special guest French Ambassador Philippe Setton with spouse Jeanne-Marie (r) and Madeleine Umewaka (l) Together, they formed the Groupe de Recherche d’Art Visuel (GRAV), an artist collective that advocated against the mystification of the solitary artist, favoring instead the audience’s active participation through the use of optokinetic forms. In 1960, he became acquainted with Victor Vasarely along with his fellow artist friends, Francois Morellet, Francisco Sobrino, Yvaral, and others. De plus, selon les pays, les cultures et les poques, les couleurs revtent des significations diffrentes parfois aux antipodes de celles des cultures voisines comme le blanc associ en Occident la puret, alors qu'il est li au deuil dans la plupart des pays asiatiques. While an entire generation of Latin American artists was advocating the figurative ideals of Mexican muralists, Le Parc was more interested in geometrical abstract paintings and bold colors. ![]() C'est pourquoi tous les Matres ont une couleur pour les ombres les uns. LES COULEURS PLUSLe Parc attended the Escuela de Bellas Artes in Buenos Aires in 1943 where he became interested in Arte Concreto-Invencion and the Spaziliasmo movement. l'existence des couleurs, plus ou moins grande, selon l'obscurit plus ou. “Le Parc’s Color Play and Plan” Julio Le Parc Exhibitionīorn in 1928, the Argentinian-born artist has lived in France since 1958. Entitled “Les Couleurs en Jeu” or “Colors at Stake”, his works will remain on display starting from August 13 to November 30. The Le Forum art space of the Hermès Foundation became the exhibition space for Julio LePerc’s first solo exhibition in Japan. ![]()
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